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Dear HB Friends and Family,
Summer Term continues thru August 27 The Hagen Summer Intensive continues thru August 6
Fall enrollment begins August 9! Search Fall Class info online or browse our brochure in the 3rd Floor Office Auditors are welcome
Fall term will run September 2 thru December 19
Looking for full-time integrated study? The Hagen Core Training Program offers a unified curriculum in Acting (Technique, Scene Study, Text Analysis), Movement, Speech, Voice, and Alexander Technique. 3 Terms, September 2010 to June 2011
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More August Workshops!
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| Amanda Quaid What's In Your Blood? Accents and Dialects of Your Heritage 4 Fridays, August 6, 13, 20 and 27 2:30pm - 4:00pm Class Fee $72
Stephen DeRosa Musical Theatre Audition Clinic 2 Saturdays, August 7 and 14 3:00pm - 6:00pm Class Fee $64
Tony Vellela A Closer Look at Edward Albee One-Day Text Intensive: Who's Afraid of Virginia Woolf & A Delicate Balance Monday, August 9 10:00am - 2:30pm Class Fee $45
Tony Vellela A Closer Look at Rodgers & Hammerstein One-Day Musical Text Intensive: Oklahoma! and The King and I Monday, August 23 10:00am - 2:30pm Class Fee $45
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The Hagen Summer Intensive Monday Public Seminar Series
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| People Who Make Theatre Talk About the Craft and Business
Monday, July 26th @ 7:30pm**
CASTING AND CHARACTER Tony Award-winning Actor Frank Wood moderated by writer/journalist Tony Vellela
Frank Wood won Broadway's TONY Award and the Drama League Award for
SIDEMAN, which he also performed in London's West End and in Australia.
Broadway: AUGUST: OSAGE COUNTY; HOLLYWOOD ARMS. Off-Broadway: CLYBOURNE
PARK (Playwright's Horizons), SPRING AWAKENING (Atlantic Theatre),
STORIES LEFT TO TELL (The Minetta Lane), and Sam Shepard's THE GOD OF
HELL. Regional Theatre: THE THREE SISTERS (Cincinnati Playhouse), PETER
AND JERRY (Hartford Stage), WAITING FOR GODOT (ACT), ROSENCRANTZ AND
GUILDENSTERN ARE DEAD (Long Wharf Theatre), LIGHT UP THE SKY
(Williamstown Theatre Festival), OUR TOWN (Bay Street Theatre), HAMLET
(The McCarter), THE RAINMAKER (Arena Stage), THE THREE SISTERS (American
Repertory Theatre at the Edinburgh Festival, Scotland). Film:
CHANGELING, THE TAKING OF PELHAM 1 2 3, THE MISSING PERSON, DAN IN REAL
LIFE, THIRTEEN DAYS, IN AMERICA, PEOPLE I KNOW, POLLOCK, DOWN TO YOU,
THE ROYAL TENENBAUMS, FLAKES, THE FAVOR, SMALL TIME CROOKS, and MICHAEL
CLAYTON. Television: FLIGHT OF THE CONCHORDS, MEDIUM, LINE OF FIRE,
THIRD WATCH, THE SOPRANOS, LAW & ORDER, LAW & ORDER: CRIMINAL
INTENT, and LIGHTS OUT.
Tony Vellela's column 'Intermission Talk' [www.intermissiontalk.net]
features reviews and commentary about theatre. His award-winning play
ADMISSIONS which received three New York productions all directed by
Austin Pendleton, won the Best Play Award at the New York International
Fringe Festival, and was published by Playscripts. He has also served
as a Broadway critic and theatre reporter for several publications and
is the resident critic at dramabookshop.com. Mr. Vellela was the last
person to conduct a substantive series of interviews with Uta Hagen, in
connection with his PBS project, which included a discussion of Albee's
WHO'S AFRAID OF VIRGINIA WOOLF and Miss Hagen's Tony Award-winning
performance as Martha.
Join them for a discussion of how casting and character affect an actor's career.
HB Playwrights Foundation Theatre, 124 Bank Street Suggested Donation: $10; HB Students $5
Seating is limited! Call 212-675-2370 ext. 1 for reservations
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HB Playwrights Foundation Presents:
WHAT ARE OUR KIDS THINKING...? Conceived and directed by Marlene Mancini
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Jenifer Badamo, Delia Bannon, Allison Bass, Emily Butera, Stephanie Carlisle,
Monique Clemente, Morgana Cragnotti, Anthony DePalma, Bria Emmanuel, Will Engel,
Anna Goldelman, Caroline Handel, Maia Moore, Carolyn Newes, Frida Perez, Grace
Powell, Lillian Monique Sherman, Lily Shoretz, Wanae Smith, Catherine Siracusa,
& Tom Tinelli. Contributing writers: Jenifer Badamo, Agnes Garrett &
Nicole Pandolfo.
July
23, 24, 29, 30, 31, and August 2 @ 8:00pm; Sundays July 25 and August 1 @ 3pm
HB Playwrights Foundation Theatre 124 Bank Street
Reservations:
212-989-7856, M-F 1-5pm
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UNEXPECTED SURPRISES Two Absurd Comedies of Unusual Encounters Directed by Michael Beckett
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| SINGLE & PROUD by Frederick Stroppel with Chineze Enekwechi, Grace Kirby, Robin Kozicka, Michael Rizzi
WANDA'S VISIT by Christopher Durang with Carrie Fellens, Bruce Kaye Liz Karmooch, Winden Rose
Saturday/Sunday, July 17, 18, 24 & 25 @ 8:00pm First Floor Studio, 120 Bank Street
Reservations: 646-224-0967 We are already filled to capacity! Wait list only--call for standby
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Reading:
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LIFE'S WORK a new Commedia dell'Arte by Ian Marshall
featuring Adam Auslander,
Trinidad Alcorta and Giovanni Villari Sunday August 1@
8pm, First Floor Studio, 120 Bank Street Free of charge, seating is
limited, first come first served
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Actors (Continue to be) Needed!
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| Actors who are available and interested in working with student directors in Jack Hofsiss' Monday evening Directing class, please submit headshots and resumes to the Studio's Third Floor Office.
The class takes place Monday evenings from 8pm to 10pm, with rehearsals to be scheduled during the week.
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| Lorraine Serabian will be appearing in TWO SIZES TOO SMALL, a radio play, with the New York Fringe Festival. At The Club at La Mama, August 13,16, 20, 21 and 25.
Donna de Matteo's play OUR SON'S WEDDING plays at the Lake George Dinner Theatre, June 30 to October 14.
Stephen DeRosa appears in THE GUARDSMAN by Ferenc Molnar at the Berkshire Theatre Festival, with Jayne Atkinson, Richard Easton, and Michel Gill, directed by John Rando, July 13-31.
Mark Blum appears in Amy Herzog's AFTER THE REVOLUTION with Lois Smith, David Margulies, and Peter Friedman at the Williamstown Theatre Festival, July 21 to August 1.
Richard Mawe will appear in TRYING by Joanna Glass, at Gloucester Stage Company in Massachusetts, July 29 through August 8.
Frank Wood plays Roy Cohn in ANGELS IN AMERICA, for the Signature Theatre Company, September 14 to December 19.
Austin Pendleton will appear in Henrik Ibsen's ROSMERSHOLM, a new adaptation by Mike Poulton, for the Pearl Theatre Company, November 12 to December 19. Austin directs THE THREE SISTERS for Classic Stage Company, January 12 to February 20. In April, Lincoln Center Theater will present the New York premiere of THE MINISTER'S WIFE, Austin's musical adaptation of Shaw's CANDIDA. Conceived and directed by Michael Halberstam, with music by Joshua Schmidt and lyrics by Jan Tranen.
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| Marisa Viola produces and Fabio Costaprado stars in a new independent feature film, ELLIOT LOVES, shooting now in New York.
Susan Stein appears in her original play ETTY, directed by Austin Pendleton, at the Dorothy Strelsin Theatre, part of The Midtown International Theatre Festival, July 17-31.
Franco Pistritto and Beth Adler appear in Compassion Theater Company's presentation of George Bernard Shaw's MRS. WARREN'S PROFESSION, July 14-25.
Charles Black, James Colquhoun, Jen Danby, Koichiro Goto, Jody Prusan, Michael Robinson, Mariel Suarez, Toshiji Takeshima, Nicole Van Voorhis, Sean Walsh, Julia Wolfermann and Catherine Zubkow appear in STREETCAR NAMED DESIRE, a Mississippi Mud Productions presentation of an HB Ensemble project, directed by Brian Lady and Austin Pendleton. At The Cherry Pit, 155 Bank Street, July 22 to August 7. Text coaching by Tony Vellela; production and design staff include Walter Free, Giovanni Villari, and Catherine Siracusa.
John L. Payne (student of Austin Pendleton) will appear in MANHATTAN TRANSFER, an original work, at the Turtleshell Theatre, July 8 to August 1.
Rosie Cosch plays COLLEEN in LOVE STINKS, an original one act comedy by Kate Rader, to be performed at The Midtown International Theatre Festival July 26, 29, and August 1.
Daniela Dakich appears as Penelope in LONGING, LINGERING, LOST at LaGuardia Performing Arts Center, part of WHICH WAY HOME, a festival of new work inspired by The Odyssey. Program B, July 22, 26, and 28.
Marisa Petsakos appears in her own original play, SEARCHING FOR SOULA, July 22-24 at The Jewel Box Theater, Midtown International Theatre Festival.
Steve Greenstein (student of Austin Pendleton and Dael Orlandersmith) is appearing as Pap Finn in the musical BIG RIVER, at the Summer Theatre of New Canaan, in Connecticut, July 10 to August 1st.
Jessica Bathurst appears in THE LAST DREAMS OF HELENE WEIGEL. July 15 to August 1, at ABC No Rio or Surreal Estate.
Pamela Wilkinson directs her translation/adaptation of Schiller's THE MAID OF ORLEANS in the NYC Fringe Festival, at the Connelly Theater.
Mark Margolis plays Bernie Madoff and Howard Green plays Solomon Galkin in Deborah Margolin's new play IMAGINING MADOFF at Stageworks/Hudson in Hudson, NY, July 21 to August 8. Howard Green goes from there to San Diego to play Ben in BROADWAY BOUND, which will run in rotation with BRIGHTON BEACH MEMOIRS at the Old Globe Theatre from September 17 to November 7.
Pamela Paul appears in DAYDREAM for the Fringe Festivals in Winnipeg, Saskatoon and Edmonton, July 14 to August 24. Pam will also appear in DEATH OF A SALESMAN at the Greenbrier Valley Theater in West Virginia, August 30 through October 16.
Jean Bergantini Grillo, (playwright, Donna DeMatteo's class) has had her short play, BLOW BY BLOW, accepted into the Midtown International Theatre Festival. Featuring Dara O'Brien, at the Jewel Box Theatre, July 21 @ 6PM, Saturday, July 24 at 7PM, and Sunday, July 25th at 1PM.
Kathleen Peirce appears in David Cromer's production of Thornton Wilder's OUR TOWN, at the Barrow Street Theatre.
Glenda Frank's play titled THE FOURTH
ESTATE has been accepted for the 2010 New York International Fringe Theatre Festival. The play began as an exercise in Julie McKee's
workshop, and the short play was one of ten winners in the New Play
Festival sponsored by the League of Professional Theatre Women with a
reading at the Cherry Lane Theatre.
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Please keep us apprised of your activities! Click here to send us news.
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| Acting- Peter Arcese (Text Analysis: The Classics, Performing Poetry)
- Matthew Arkin (Technique, Contemporary Scene Study)
- George Bartenieff (Shakespeare)
- Michael Beckett (Technique, Scene Study)
- Jim Boerlin (Technique, Scene Study)
- Aleksey Burago (Actor/Director Workshop, Chekhov Performance)
- Snezhana Chernova (Acting-Physical Technique)
- Joseph Daly (Technique, Scene Study)
- Alec Harrington (Shakespeare Performance Lab)
- Jeanne Kaplan (Technique, Scene Study)
- Peter Kyle (A Physical Approach to Character Study: Chekhov's The Cherry Orchard) Special One-Week Workshop!
- Johanna Leister (Technique) New!
- Karen Ludwig (Acting with the Camera)
- Christopher Martin (Shakespeare Character Study, Shakespeare Text Analysis)
- John Monteith (Improvisation, Advanced Improvisation)
- Edward Morehouse (Technique, Technique & Scene Study, Scene Study Invitational, Text Analysis: The Actor's Homework)
- Rochelle Oliver (Technique, Intermediate/Advanced Scene Study)
- Austin Pendleton (Advanced Scene Study)
- Perry Schneiderman (Master Class in Character Half Mask) Special Workshop!
- Lorraine Serabian (Technique & Scene Study)
- Trudy Steibl (Technique & Scene Study)
Jeffrey Sweet (Collaborative Play Development) New Special One-Week Workshop!
- Tony Vellela (Text Analysis: One-Day Intensives: A Closer Look at Tennessee Williams and A Closer Look at Edward Albee) Special Workshops!
- Frank Wood (Scene Study) New!
DirectingAleksey Burago (Actor/Director Workshop, Advanced Directing, Practical Guide to Directing) - Jack Hofsiss (Directing for All Levels)
Jeffrey Sweet (Collaborative Play Development) New Special One-Week Workshop!
Tony Vellela (Text Analysis: One-Day Intensives: A Closer Look at Tennessee Williams and A Closer Look at Edward Albee) New Special Workshops!
Improv- Holly Mandel (Teen Improv) Special Workshop!
John Monteith (Improv, Advanced Improv) Jeffrey Sweet (Improvisation for Playwriting, Collaborative Play Development) New Special One-Week Workshop! Movement & Body WorkMartha Bernard (Alexander Technique) Michael Blake (Power/Movement/Dance for Actors) - Peter Kyle (A Physical Approach to Character Study: Chekhov's The Cherry Orchard) Special One-Week Workshop!
Ian Marshall (Minor Stunts for Actors Intensive) New Special One-Week Workshop!
Siri Sat Kaur (Kundalini Yoga) Stefanie Proessl (Alexander Technique, Feldenkrais/Alexander) - Perry Schneiderman (Master Class in Character Half Mask) Special Workshop!
Fred Timm (Movement for Actors) Musical TheatreMartha Bernard (Singing)
John Bowen (Singing) Philip Carroll (Music Reading and Vocal Technique, Vocal Technique for Rock, Pop, Contemporary Musical Theater and Recording Vocals) New! - Stephen DeRosa (Musical Theatre Audition Clinic) New Special Workshop!
- Helen Gallagher (Musical Performance)
Dan Manjovi (Beginning & Intermediate Singing, Beginning Vocal Technique, Building Repertoire, Song Presentation) Sue Maskaleris (Pop, R&B, and Jazz Styles, So You're in the Chorus) Special Workshop!
Ann McCormack (Young People's Musical Theatre, Musical Theatre Performance Lab)
Lorraine Serabian (Art of Musical Theatre Presentation) - Tony Vellela (Text Analysis: One Day Intensive: A Closer Look at Rodgers & Hammerstein) Special Workshop!
Professional DevelopmentSpeech & Speaking Voice
Ruth Berkowitz (Speech, Foreign Accent Correction, Dialect Study, Recitation of Shakespeare) Fernando Gambaroni (English for Actors) Lenore Harris (Speech I, Speaking Voice, Monologues & Public Speaking) Ilse Pfeifer (Voice Workshop) - Joshua Popenoe (English Pronunciation for Asian Language Speakers) New!
Amanda Quaid (Dialects: What's in Your Blood) New Special Workshop!
Writing
Julie McKee (Playwriting, Playwriting/Screenwriting Workshop) Jeffrey Sweet (Collaborative Play Development) New Special Workshop! Tony Vellela (Text Analysis: One-Day Intensives: A Closer Look at Tennessee Williams, Edward Albee, Rodgers & Hammerstein) New Special Workshops! Young People's Classes
Ruth Berkowitz (Speech, all ages) Marlene Mancini (Acting, ages 9-14 and 14-17) - Holly Mandel (Teen Improvisation, ages 12-16) Special Workshop!
Ann McCormack (Musical Theatre for Teens, ages 12-17) Trudy Steibl (Acting, ages 13-17) Claudia Terry (Acting ages 9-14)
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HB Studio
began in 1945 and aims for a meaningful dramatic expression of the
times and country in which we live. To help establish a theatre of
experimentation based on classic tradition, the Studio is dedicated to
the development of individual artists, who may actively contribute to a
theatre of national character. Conceived as an artistic and working
home, it offers an outlet for practice and growth for the professional
theatre artist, and an opportunity for the young to establish roots in
their intended craft. The Studio's guiding principle is creative freedom, which has as its logical consequence responsibility to a noble art. Learn more at www.hbstudio.org.
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