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Overview
Class Options
Class Search
Summer Intensive
Core Program
Meet Uta Hagen |
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Summer Intensive Studies
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The Hagen Summer Intensive is a rigorous, 6-week workshop that probes the practical applications of Uta Hagen’s technique as discussed in her book A Challenge for the Actor. Through scene study, script analysis and technical exercises, “The Six Steps” will become an integral part of the actor’s craft. When you have strong technique and more confidence in how to find yourself in the role, acting will be joyful.
This year's program will take place June 27-August 6, 2010.
Download the 2010 Brochure [PDF].
Download the 2010 Application [PDF]. |
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What to Expect |
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- A fully integrated, rigorous program of courses: Alexander Technique, Movement,
- Speaking Voice, Acting Technique, Scene Study and Script Analysis
- A faculty of master practitioners
- Special workshops with guest artists
- A direct, in-depth approach to your work
- A safe, supportive, challenging environment
- To strengthen your craft and stretch all aspects of your instrument
- To complete the Intensive a stronger, more knowledgeable, more confident actor
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From Former Students |
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"This is the one of the most balanced, well-rounded programs I have ever been a part of." |
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"A boot camp for the dedicated actor. I think it was one of the most rewarding experiences of my life." |
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Details |
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Classes meet Mon – Fri
9:30 AM to 6:00 PM
June 27 through August 6
Orientation, Sunday June 27
Limited scholarship funds available for students who qualify based on talent and need.
Application deadline: MARCH 26, 2010
Application fee (non-refundable): $25.00
Tuition: $2,900
Auditions: April 10, 2010
(additional dates may be scheduled as necessary)
For more information, please call 212-675-2370 or email jboerlin@hbstudio.org. |
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“...An organic transference of oneself to the role, the development of a new “I” who is alive in the world of the play, involves a creative process which is not a willy-nilly, loose way of working that depends solely on intuitive or illusive inspiration. On the contrary, it is a process which, however slow and painstaking, can be structured in an orderly way over which the actor has control, although no part of it is mechanical... It is a true challenge of one’s diligence and one’s talent. This process is to me like the drafting of a musical score in which the actor composes the character’s theme, orchestrates it, defines the phrases, individual beats, and the arrangement of the notes he will eventually play with spontaneity at each performance, putting to use his finely honed inner and outer techniques.”
- Uta Hagen, A CHALLENGE FOR THE ACTOR © 1991, by Uta Hagen, All Rights Reserved. |
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