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Overview
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The Hagen Institute
Meet Uta Hagen |
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Hagen One-Year Core Training Program

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The Hagen Institute at HB Studio One-Year Core Training Program is a full-time one-year training program for actors who seek full immersion in the practice of their craft.
This year's core program will begin on September 20, 2010.
Download the 2010 Brochure [PDF].
Download the application [PDF] |
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What to Expect |
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- By the end of the year, you will have a solid grasp on what the work of an actor is and how to tackle it.
- You will be following through on your impulses and living more imaginatively, truthfully and fearlessly in your work.
- You will be better prepared, both for your professional opportunities and your continuing studies, as you work on an ongoing basis to stretch and add depth to your craft.
- Rigorous, deep integration of training in Acting, Voice, Movement, and Text Analysis will keep you in a constant state of creative discovery.
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Details |
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Applications Due: EXTENDED! Please contact the office at 212-675-2370 for more information
Auditions: April 24, 2010
Classes
Acting Technique and Scene Study, Script Analysis,
Alexander Technique, Movement, Speech, Speaking Voice
Classes meet Mon - Fri, 9:30 am – 3:30 pm
3 Terms:
Fall: September 20 – December 17, 2010
Winter: January 10 – March 18, 2011
Spring: April 4 – June 17, 2011
For more information, please call 212-675-2370 or email jboerlin@hbstudio.org. |
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“...An organic transference of oneself to the role, the development of a new “I” who is alive in the world of the play, involves a creative process which is not a willy-nilly, loose way of working that depends solely on intuitive or illusive inspiration. On the contrary, it is a process which, however slow and painstaking, can be structured in an orderly way over which the actor has control, although no part of it is mechanical... It is a true challenge of one’s diligence and one’s talent. This process is to me like the drafting of a musical score in which the actor composes the character’s theme, orchestrates it, defines the phrases, individual beats, and the arrangement of the notes he will eventually play with spontaneity at each performance, putting to use his finely honed inner and outer techniques.”
- Uta Hagen, A CHALLENGE FOR THE ACTOR © 1991, by Uta Hagen, All Rights Reserved. |
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